RM Powell
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Lisa Brice’s (b.1968) practice explores the relationships between authors and images. Interested in the representation of women by male artists, Brice recreates and thus re-authors images from the artistic cannon. ‘Untitled’, by Brice, was painted to respond to ‘Parting at Morning’ (1981) by William Rothenstein (1872-1945), which hangs in the Tate. With an altered palette…
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The Potential Dislocation of the Global Art Market: the flow of capital in the global art ecosystem ‘The global art market is threatened with at best dislocation and at worst collapse in the advent of growing international economic and cultural power from emerging markets.’ While this statement touches on many of the fears of the…
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Hell is not a place, but a state of mind Now I begin to hear the sad notes of pain now I have come to where loud cries beat upon my ears. I have reached a place mute of all light which roars like the sea in a tempest when beaten by conflicting winds. Dante…
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From the Vapor of Gasoline: explorations in curatorial dialogues White Cube Mason’s Yard 20 Sept – 21 October White Cube 1st Floor. October, 2017. From the Vapor of Gasoline, White Cube, Mason’s Yard, London, United Kingdom. From the Vapor of Gasoline is a group show spread across two main rooms and two ante-chamber spaces in…
Rafael Powell 