Art
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Lisa Brice’s (b.1968) practice explores the relationships between authors and images. Interested in the representation of women by male artists, Brice recreates and thus re-authors images from the artistic cannon. ‘Untitled’, by Brice, was painted to respond to ‘Parting at Morning’ (1981) by William Rothenstein (1872-1945), which hangs in the Tate. With an altered palette
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In the paintings in Wilderness, Layzell’s most recent show, flickers of colour emerge from dark backgrounds. Abstract greens and whites create landscapes from the corner of your eye. The painting facing the street, on the show-wall of Salon 91, shows an abstracted landscape. It is constructed with strokes of Barbie-pinks, deep foreboding purples, guttural greens