Essay
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Just off a not-so-busy-not-so-quiet road in East London, Julia Sullivan has transformed the façade of our flat into a viewing atelier. Visible from the street, the solo exhibition, Fine, I Guess (2020) brings together work created by Julia during the last 6 months. These include collages, paintings, lino and screen prints. In the context of
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With colour washes that cause form to merge with form like a colourfield entropy – the natural move of all things towards decay, to oneness – Antonia Showering is a formidably capable painter and first on The A R T S E I S T’s young artists spotlights. A Slade School of Art MA graduate,
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Published on THE SEEN “I’m always destroying,” the late Kathy Acker said in an interview at the Institute of Contemporary Arts, London (ICA) in 1986, “To hell with the word deconstructing. I’m always destroying, you know, rigidities, habitual meanings, habitual contents.” Coming full circle from that interview, I,I,I,I,I,I,I, Kathy Acker, the first UK exhibition dedicated to her work
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The Potential Dislocation of the Global Art Market: the flow of capital in the global art ecosystem ‘The global art market is threatened with at best dislocation and at worst collapse in the advent of growing international economic and cultural power from emerging markets.’ While this statement touches on many of the fears of the
Rafael Powell 