MicroEssay
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Lisa Brice’s (b.1968) practice explores the relationships between authors and images. Interested in the representation of women by male artists, Brice recreates and thus re-authors images from the artistic cannon. ‘Untitled’, by Brice, was painted to respond to ‘Parting at Morning’ (1981) by William Rothenstein (1872-1945), which hangs in the Tate. With an altered palette
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Hell is not a place, but a state of mind Now I begin to hear the sad notes of pain now I have come to where loud cries beat upon my ears. I have reached a place mute of all light which roars like the sea in a tempest when beaten by conflicting winds. Dante
Rafael Powell 