Microreview
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Lisa Brice’s (b.1968) practice explores the relationships between authors and images. Interested in the representation of women by male artists, Brice recreates and thus re-authors images from the artistic cannon. ‘Untitled’, by Brice, was painted to respond to ‘Parting at Morning’ (1981) by William Rothenstein (1872-1945), which hangs in the Tate. With an altered palette
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Milly Peck at Assembly Point, Peckam Peck’s show at Assembly Point seems to be the aesthetic love-child of pop art and minimalism, blending stylised ‘pop’ representation with the colour and shape neutrality of minimalism. Despite the neutral palette of the show – black, white and grey – ‘Pressure Head’ contains visual dynamism created through the
Rafael Powell 